La La La Le Fomo
Groovy Duo Le Fomo chat about new single and video 'NOTDF'
LE FOMO’s electro thrash pop / gender expanse wave will rattle your guts with rawness and cradle you with catchy riffs. LE FOMO is gender expansive and genre expansive multi-instrumentalists Ess Nelson (vocals, lyrics, synths, bass, beats, arrangement) and Kai Hofius (guitar, drums, lyrics, bass), based in Oakland, CA.
NOTDF is the first single off their upcoming LP (Swallow Me Whole) on Club Queen Records across the US and Canada, followed by a July 31 release of the track on AnalogueTrash for European distribution, ahead of their fall album drop in September.
NOTDF is the first single off their upcoming LP (Swallow Me Whole) on Club Queen Records across the US and Canada, followed by a July 31 release of the track on AnalogueTrash for European distribution, ahead of their fall album drop in September.
With so much expressionism exploding from the duo we had to know more so we set out with our question bag in hand to dig deeper into the world of Le Fomo!
The two of you have a long history together, but how long have you been the official duo "Le Fomo"?
Well, the album we’re about to release is our first studio-produced full-length album, and we started recording this one about a year ago. We self-recorded an album a couple years before that and have been playing shows together as Le Fomo for a handful of years.
Where does the name come from?
Ideas are mysterious things! Ess sat down and brainstormed a list of ideas and tried them out on people… Le Fomo felt right because it invokes the names of bands we love and sound like -- La Femme, Le Tigre -- and it’s a familar feeling that we all struggle with, that fear of missing out. It also has a nice rhythm and it rolls off the tongue. There were a handful of other options, but “Antler vs Glove” would have been an entirely different project. Maybe. No, it would probably be the same! Ess’s prior duo in Philly, Red Skate Red, was an earlier iteration of Le Fomo’s electro thrash, which also had some odd time signatures thrown into the mix. But it did not have a Kai!! Hm. Good question. Wait this one was mine! Still, good question. Names Are Important!
Even if the stodgy structuralists disagree and the slinky propagandists try to convince us otherwise, words matter; they really do actively shape our lived experience, they are not just describing what’s already happening. We are constantly creating every moment before us, collectively. So let’s fucking create something beautiful together!
We've covered a number of duo's in the past who all have had different approaches to the "band work" set up. How do you function as a duo in terms of responsibility. Is the writing shared? Is one more lyrics focused versus production?
It’s different for each song and it’s changed over time, too. When it comes to songwriting, we tend to have two approaches -- a lot of our songs start as jam sessions and then we pull out the good bits and shape them, with Ess largely guiding the structure into place. For more of the newer songs, Ess has done more of the initial work on their own and then Kai will come in and plug in guitar and/or drums a little later in the process.
Ess writes a lot of the lyrics, but we also have a collaborative lyric writing process where we both brainstorm out loud or in a doc together and we collectively find those places where the meaning and the shape of the words click just right.
NOTDF is the debut single and video from your upcoming EP. What made NOTDF the definitive choice for first single?
It’s one of our poppier, fun songs and our beloved music video represents our aesthetic well. It also gives voice to our collective frustrations and desires while in quarantine (“let me out!”) which we thought was timely.
Since its release into the world, what has been the biggest surprise for you?
All the excited shares on social media have been such a fun response!
The two of you have a long history together, but how long have you been the official duo "Le Fomo"?
Well, the album we’re about to release is our first studio-produced full-length album, and we started recording this one about a year ago. We self-recorded an album a couple years before that and have been playing shows together as Le Fomo for a handful of years.
Where does the name come from?
Ideas are mysterious things! Ess sat down and brainstormed a list of ideas and tried them out on people… Le Fomo felt right because it invokes the names of bands we love and sound like -- La Femme, Le Tigre -- and it’s a familar feeling that we all struggle with, that fear of missing out. It also has a nice rhythm and it rolls off the tongue. There were a handful of other options, but “Antler vs Glove” would have been an entirely different project. Maybe. No, it would probably be the same! Ess’s prior duo in Philly, Red Skate Red, was an earlier iteration of Le Fomo’s electro thrash, which also had some odd time signatures thrown into the mix. But it did not have a Kai!! Hm. Good question. Wait this one was mine! Still, good question. Names Are Important!
Even if the stodgy structuralists disagree and the slinky propagandists try to convince us otherwise, words matter; they really do actively shape our lived experience, they are not just describing what’s already happening. We are constantly creating every moment before us, collectively. So let’s fucking create something beautiful together!
We've covered a number of duo's in the past who all have had different approaches to the "band work" set up. How do you function as a duo in terms of responsibility. Is the writing shared? Is one more lyrics focused versus production?
It’s different for each song and it’s changed over time, too. When it comes to songwriting, we tend to have two approaches -- a lot of our songs start as jam sessions and then we pull out the good bits and shape them, with Ess largely guiding the structure into place. For more of the newer songs, Ess has done more of the initial work on their own and then Kai will come in and plug in guitar and/or drums a little later in the process.
Ess writes a lot of the lyrics, but we also have a collaborative lyric writing process where we both brainstorm out loud or in a doc together and we collectively find those places where the meaning and the shape of the words click just right.
NOTDF is the debut single and video from your upcoming EP. What made NOTDF the definitive choice for first single?
It’s one of our poppier, fun songs and our beloved music video represents our aesthetic well. It also gives voice to our collective frustrations and desires while in quarantine (“let me out!”) which we thought was timely.
Since its release into the world, what has been the biggest surprise for you?
All the excited shares on social media have been such a fun response!
You're releasing via Club Queen Records. How did that relationship with CQR and TT the Artist come about?
Gentle reminder that we are also releasing on AnalogueTrash in Europe ;) In both cases, Ess pitched the album to them both because of the sounds, aesthetics, and ethos of each label. In the case of TT the Artist and Club Queen… I mean, I (Ess) already had TT’s breakout hit ‘Lavish’ on my own playlists and I was so flattered to then be talking with her about our music. This may sound corny, but you know it’s an incredible feeling when an artist that is more established sees what you’re making and is interested in it, sees the potential of it, and wants to be a part of your journey. And we are really honored to be part of a label that exists to lift up marginalized voices in the industry. TT puts black women in hip hop, dance, club, and RnB at the center of her label, and we support that, so much. We appreciate that she’s expanding her vision to include us in the mix.
AnalogueTrash is a UK based label with a roster full of electronic, dark wave, post-punk artists which is a big part of our sound, and they have this incredible vision for music as a critical part of social transformation -- we love that they are so explicitly pro-queer, pro-feminist, pro-immigrant, and anti-fascist. We’re excited to be part of the active AT family of artists and grateful to be on not just one, but two labels that see us and what we’re doing and are really excited about how the world is going to respond to us this year.
So yeah— two labels, two regions, two music communities! We’ve got this ambitious staggered release schedule for three singles and then our full album over the next few months, and we’re so down for all of it.
As a very creative and expressive band, where do you draw inspiration from?
Falling in love and heartbreak provide inspiration for 90% of our songs, and embedded in that is this constant quest to heal from past trauma and you know-- become fully actualized and reach a state of enlightenment, or whatever. Sometimes it feels like romantic relationships come into my life to provide inspiration for music (Ess speaking here). Our songs have become guideposts for me as I make my way into new relationships… things I’ve learned are encoded into the lyrics, the heartbreak and confusion encapsulated by the beats and melodies. It’s a way that I hold myself accountable to honor and safeguard this quiet shining diamond sitting inside my chest.
There are very strong elements of 80's New Wave within your sound. What is it about that sound that you connect with? Who are some of the artists from that time period you enjoy?
Yesssss thanks for noticing! What is it about that sound— hm. Dark and danceable, soft and jagged, the synth pads and leads and the soft and crooning and hollow vocals, the 808 beats— it’s just all so GOOD!
In terms of artists, wow so many. In the new wave arena of course that includes The Cure, New Order, Joy Division, Soft Cell, Depeche Mode, Souxie and the Banshees, Echo and the Bunnymen, Eurythmics, Falco, but also other artists from that era like Joan Jett (first concert) Talking Heads, Devo, Blondie, Madonna, Prince, Queen, and Michael Jackson, the Doors. 80’s/90’s rap and hip hop like Public Enemy, Digable Planets, Snoop Dogg, Dr. Dre, Biggie, Queen Latifah, DJ Jazzy Jeff, Criss Cross (stand by it), and Ess remembers listening to a lo-fi tape of a local Detroit rapper on repeat who was starting to blow up but what was his name?! It’ll come to me (no not Eminem). And then there is that whole host of lady artists/bands in the late 80’s/early 90’s like Tori Amos, Bjork, Hole, Elastica, The Breeders, 4 Non Blondes, not to mention influences like Metallica, Pantera, Motley Crue (second concert) and Led Zeppelin. Ugh so many cishet dudes. Or wait— spandex, makeup, and long hair? Hmmmmmm wait is this whole list family?! ❤️😘❤️
Are there other sub-culture genres or musical time periods you're interested in playing around in?
Ask us again after you hear the whole album because we are about to take you on a little journey through a few of them! We get a little more raw as the songs unfold. We’re starting out with our poppiest songs because that’s what the internet told us to do. But are there other sub-culture genres or time periods we want to play around in—yes. We are excited to hear remixes of our songs and see what sub-genres they might feed!!
With so much creativity, what does a live Le Fomo performance look like?
A LE FOMO show is something like a sacred gathering for queers. We bring some fierce and danceable energy, experimental video art, extravagant outfits, banter with the audience that heals and builds community, and both Ess and Kai like to get all up in the audience at least a few times during the show, and Ess often can be seen climbing on top of things. We really like to bring it.
We have yet to fully envision what our performances will look like with our new album in this new era. Ask us again in a couple months once we have our whole album out!
Are you planning to do any live streams for the release?
Something like that, TBD. AnalogueTrash is currently organizing a music fest with all the AT bands in late August but I think we might not be ready by then with our ambitious release schedule and music video making and such. But we might have something to contribute there. Keep checking back with us!
What do you hope listeners will take away from this release? What do you hope they get from it?
Maybe you’re listening to it and you’re like ‘hell yeah, this beat, these synths, these vocals, this guitar, damn this bass! Wtf is this I want more!’ and then you start listening to the words and you’re like “oh shit, these sweet nothings in my ear, you’re reading my mind” because maybe we’re giving voice to your thoughts, maybe your experience is being articulated for the first time that allows you to know yourself in a new way. Or-- maybe you just like it because it makes you want to dance or sing along.
What’s also true and worth saying here is that it doesn’t matter what we want people to experience, people will experience whatever they do and we 100% embrace that. Authorial intent is an overrated and outdated relic of a colonialist-hetero-patriarchal past that is desperately clawing its way into the future, so again-- any way that people experience our music is just as valuable and valid as what we might hope for! <3 <3 <3 And also we value this question so thanks for asking it (along with all the others).
Gentle reminder that we are also releasing on AnalogueTrash in Europe ;) In both cases, Ess pitched the album to them both because of the sounds, aesthetics, and ethos of each label. In the case of TT the Artist and Club Queen… I mean, I (Ess) already had TT’s breakout hit ‘Lavish’ on my own playlists and I was so flattered to then be talking with her about our music. This may sound corny, but you know it’s an incredible feeling when an artist that is more established sees what you’re making and is interested in it, sees the potential of it, and wants to be a part of your journey. And we are really honored to be part of a label that exists to lift up marginalized voices in the industry. TT puts black women in hip hop, dance, club, and RnB at the center of her label, and we support that, so much. We appreciate that she’s expanding her vision to include us in the mix.
AnalogueTrash is a UK based label with a roster full of electronic, dark wave, post-punk artists which is a big part of our sound, and they have this incredible vision for music as a critical part of social transformation -- we love that they are so explicitly pro-queer, pro-feminist, pro-immigrant, and anti-fascist. We’re excited to be part of the active AT family of artists and grateful to be on not just one, but two labels that see us and what we’re doing and are really excited about how the world is going to respond to us this year.
So yeah— two labels, two regions, two music communities! We’ve got this ambitious staggered release schedule for three singles and then our full album over the next few months, and we’re so down for all of it.
As a very creative and expressive band, where do you draw inspiration from?
Falling in love and heartbreak provide inspiration for 90% of our songs, and embedded in that is this constant quest to heal from past trauma and you know-- become fully actualized and reach a state of enlightenment, or whatever. Sometimes it feels like romantic relationships come into my life to provide inspiration for music (Ess speaking here). Our songs have become guideposts for me as I make my way into new relationships… things I’ve learned are encoded into the lyrics, the heartbreak and confusion encapsulated by the beats and melodies. It’s a way that I hold myself accountable to honor and safeguard this quiet shining diamond sitting inside my chest.
There are very strong elements of 80's New Wave within your sound. What is it about that sound that you connect with? Who are some of the artists from that time period you enjoy?
Yesssss thanks for noticing! What is it about that sound— hm. Dark and danceable, soft and jagged, the synth pads and leads and the soft and crooning and hollow vocals, the 808 beats— it’s just all so GOOD!
In terms of artists, wow so many. In the new wave arena of course that includes The Cure, New Order, Joy Division, Soft Cell, Depeche Mode, Souxie and the Banshees, Echo and the Bunnymen, Eurythmics, Falco, but also other artists from that era like Joan Jett (first concert) Talking Heads, Devo, Blondie, Madonna, Prince, Queen, and Michael Jackson, the Doors. 80’s/90’s rap and hip hop like Public Enemy, Digable Planets, Snoop Dogg, Dr. Dre, Biggie, Queen Latifah, DJ Jazzy Jeff, Criss Cross (stand by it), and Ess remembers listening to a lo-fi tape of a local Detroit rapper on repeat who was starting to blow up but what was his name?! It’ll come to me (no not Eminem). And then there is that whole host of lady artists/bands in the late 80’s/early 90’s like Tori Amos, Bjork, Hole, Elastica, The Breeders, 4 Non Blondes, not to mention influences like Metallica, Pantera, Motley Crue (second concert) and Led Zeppelin. Ugh so many cishet dudes. Or wait— spandex, makeup, and long hair? Hmmmmmm wait is this whole list family?! ❤️😘❤️
Are there other sub-culture genres or musical time periods you're interested in playing around in?
Ask us again after you hear the whole album because we are about to take you on a little journey through a few of them! We get a little more raw as the songs unfold. We’re starting out with our poppiest songs because that’s what the internet told us to do. But are there other sub-culture genres or time periods we want to play around in—yes. We are excited to hear remixes of our songs and see what sub-genres they might feed!!
With so much creativity, what does a live Le Fomo performance look like?
A LE FOMO show is something like a sacred gathering for queers. We bring some fierce and danceable energy, experimental video art, extravagant outfits, banter with the audience that heals and builds community, and both Ess and Kai like to get all up in the audience at least a few times during the show, and Ess often can be seen climbing on top of things. We really like to bring it.
We have yet to fully envision what our performances will look like with our new album in this new era. Ask us again in a couple months once we have our whole album out!
Are you planning to do any live streams for the release?
Something like that, TBD. AnalogueTrash is currently organizing a music fest with all the AT bands in late August but I think we might not be ready by then with our ambitious release schedule and music video making and such. But we might have something to contribute there. Keep checking back with us!
What do you hope listeners will take away from this release? What do you hope they get from it?
Maybe you’re listening to it and you’re like ‘hell yeah, this beat, these synths, these vocals, this guitar, damn this bass! Wtf is this I want more!’ and then you start listening to the words and you’re like “oh shit, these sweet nothings in my ear, you’re reading my mind” because maybe we’re giving voice to your thoughts, maybe your experience is being articulated for the first time that allows you to know yourself in a new way. Or-- maybe you just like it because it makes you want to dance or sing along.
What’s also true and worth saying here is that it doesn’t matter what we want people to experience, people will experience whatever they do and we 100% embrace that. Authorial intent is an overrated and outdated relic of a colonialist-hetero-patriarchal past that is desperately clawing its way into the future, so again-- any way that people experience our music is just as valuable and valid as what we might hope for! <3 <3 <3 And also we value this question so thanks for asking it (along with all the others).
It's currently a very exciting time for indie LGBTQ artists. Many have been very vocal about their life and experiences and releasing their music as fully "out" artists. Have you been listening to or following many other LGBT artists and if so who has caught your ear/attention?
Oh yeah, we listen to a pretty broad range of queer artists -- Peaches, Tegan and Sarah, The Internet, Tunde Olaniran, Lafemmebear, Aye Nako, Girlpool. For me (Kai), I don’t always know that an artist I’m listening to is queer, and then I hear a lyric or a vocal quality or I don’t even know what -- something will catch my ear and I’ll go look it up and -- oh yep, they’re queer. I love that there are so many queer artists out there right now that I don’t even have to seek them out to find them! Like, wow.
It feels so good to feel represented in the music you love. That’s a lot of what draws me to queer music (even if I don’t realize it’s happening) and it’s something we love to be adding to. Every time I feel seen by the art I’m consuming, it feels really special.
As independent artists what are the biggest challenges that you’re currently faced with?
Believing in ourselves, that we’re making something really special here, and having access to the kind of resources and time we need to actualize our vision, and navigating our changing relationship with each other as time unfolds. But honestly, the challenge of believing in ourselves is the biggest issue. How big can we dream? There are so many forces that seem to want us all (generally speaking) to stay feeling small and unworthy. I (Ess) keep thinking about that crabs in a barrel phenomenon that I’ve had to push past my whole life (coming up poor), where peers try to pull/keep you down because your success is kind of like a black mirror for people. Owning the audacity to value yourself in a society that devalues people like us can be a trigger. But we really want to rise together-- see our successes in each others’ and invite others to do the same. We all need something to believe in right now, something to be positively excited about.
In this new world of streams and algorithms, it's easy to get caught up in the numbers game. How do you measure your own success without becoming a stream watcher? What is success to you as a band?
Oh goddexx yes. Social media is kind of a nightmare. Measuring success, I mean of course we’re all using things like the number of likes and follows as measures of success and we fall into this thing where we conflate the value of someone/something with these kinds of social media responses. Which is a kind of -- mmm - social harm? Yes. So there’s all of that, which of course we fully engage in because it’s unavoidable especially right now in these quarantine times.
Other ways of measuring success-- quality of responses when we share something and the kind of excitement and shared vision that it inspires in others, and also just how what we’re putting out there makes us feel. Sometimes after band practice or a songwriting session (remember when band practice was a thing?) we’ll find ourselves going “dang, we’re really good!” And that feeling is success to me (Kai).
When you're not making music what do you get up to? How do you practice self care from the stress of work?
Making art and music is a form of self care for me (Ess), it’s really gotten me through some very hard times. It’s kind of *the thing* that keeps me going. I also workout a lot, hot yoga is my main thing, and I like to go for a swim here and there. I’ve got a tiny hot yoga studio set up at home that’s kept me sane since SIP, and have been real into swimming in the Bay and in lakes lately.
Same for me (Kai) -- making music is a big part of how I relieve stress and take care of myself. We both have non-musical full-time jobs, so Le Fomo is our escape from that world. Our regular weekly band practice was my main music-making time before shelter in place, but lately I’ve been learning lots of new-to-me ways of creating music while not being present in the room with another person, and diving into learning new skills like that is one of my favorite ways to clear my head and refocus my energy.
With a name like Le FOMO we have to ask, do either of you have fomo (fear of missing out)?
Haha, yes it comes and goes. It’s dissipated after a good two hour hot yoga sweat dripping session, though.
Desert Island Discs: What are the 5 albums you have to have with you if stranded on a deserted island?
We have more than five, sorry not sorry.
Ess happily had a Baywitch cd in their car for an entire year! So good. Seattle based band, check them out.
Ess also can also listen to any early Gossip albums on repeat forever, so so GOOD!
Space Lady’s greatest hits and def Synthesize Me
Lijadu Sisters - Danger
Lekeili47 - Wash & Set on repeat repeat REPEAT!
Kai--
Girlpool - Before the World Was Big
Tunde Olaniran - Transgressor
Lullatone - Thinking About Thursdays
If Le FOMO had super powers what would they be?
Lifting the cishet veils from people’s eyes with the faggiest flick of our delicate wrists! Which we kind of already have because we’re pretty hot and very non-binary, so as it turns out, you’re all gay. You’re welcome. 🤠
So then I guess a new super power might be to turn raisins back into grapes. zzz zzz POP.
What’s one last thing you want fans to know about you?
Kai: My toes are like fingers -- I can take my socks off and ball em up together just with my feet.
Ess: I don’t like raisins.
Oh yeah, we listen to a pretty broad range of queer artists -- Peaches, Tegan and Sarah, The Internet, Tunde Olaniran, Lafemmebear, Aye Nako, Girlpool. For me (Kai), I don’t always know that an artist I’m listening to is queer, and then I hear a lyric or a vocal quality or I don’t even know what -- something will catch my ear and I’ll go look it up and -- oh yep, they’re queer. I love that there are so many queer artists out there right now that I don’t even have to seek them out to find them! Like, wow.
It feels so good to feel represented in the music you love. That’s a lot of what draws me to queer music (even if I don’t realize it’s happening) and it’s something we love to be adding to. Every time I feel seen by the art I’m consuming, it feels really special.
As independent artists what are the biggest challenges that you’re currently faced with?
Believing in ourselves, that we’re making something really special here, and having access to the kind of resources and time we need to actualize our vision, and navigating our changing relationship with each other as time unfolds. But honestly, the challenge of believing in ourselves is the biggest issue. How big can we dream? There are so many forces that seem to want us all (generally speaking) to stay feeling small and unworthy. I (Ess) keep thinking about that crabs in a barrel phenomenon that I’ve had to push past my whole life (coming up poor), where peers try to pull/keep you down because your success is kind of like a black mirror for people. Owning the audacity to value yourself in a society that devalues people like us can be a trigger. But we really want to rise together-- see our successes in each others’ and invite others to do the same. We all need something to believe in right now, something to be positively excited about.
In this new world of streams and algorithms, it's easy to get caught up in the numbers game. How do you measure your own success without becoming a stream watcher? What is success to you as a band?
Oh goddexx yes. Social media is kind of a nightmare. Measuring success, I mean of course we’re all using things like the number of likes and follows as measures of success and we fall into this thing where we conflate the value of someone/something with these kinds of social media responses. Which is a kind of -- mmm - social harm? Yes. So there’s all of that, which of course we fully engage in because it’s unavoidable especially right now in these quarantine times.
Other ways of measuring success-- quality of responses when we share something and the kind of excitement and shared vision that it inspires in others, and also just how what we’re putting out there makes us feel. Sometimes after band practice or a songwriting session (remember when band practice was a thing?) we’ll find ourselves going “dang, we’re really good!” And that feeling is success to me (Kai).
When you're not making music what do you get up to? How do you practice self care from the stress of work?
Making art and music is a form of self care for me (Ess), it’s really gotten me through some very hard times. It’s kind of *the thing* that keeps me going. I also workout a lot, hot yoga is my main thing, and I like to go for a swim here and there. I’ve got a tiny hot yoga studio set up at home that’s kept me sane since SIP, and have been real into swimming in the Bay and in lakes lately.
Same for me (Kai) -- making music is a big part of how I relieve stress and take care of myself. We both have non-musical full-time jobs, so Le Fomo is our escape from that world. Our regular weekly band practice was my main music-making time before shelter in place, but lately I’ve been learning lots of new-to-me ways of creating music while not being present in the room with another person, and diving into learning new skills like that is one of my favorite ways to clear my head and refocus my energy.
With a name like Le FOMO we have to ask, do either of you have fomo (fear of missing out)?
Haha, yes it comes and goes. It’s dissipated after a good two hour hot yoga sweat dripping session, though.
Desert Island Discs: What are the 5 albums you have to have with you if stranded on a deserted island?
We have more than five, sorry not sorry.
Ess happily had a Baywitch cd in their car for an entire year! So good. Seattle based band, check them out.
Ess also can also listen to any early Gossip albums on repeat forever, so so GOOD!
Space Lady’s greatest hits and def Synthesize Me
Lijadu Sisters - Danger
Lekeili47 - Wash & Set on repeat repeat REPEAT!
Kai--
Girlpool - Before the World Was Big
Tunde Olaniran - Transgressor
Lullatone - Thinking About Thursdays
If Le FOMO had super powers what would they be?
Lifting the cishet veils from people’s eyes with the faggiest flick of our delicate wrists! Which we kind of already have because we’re pretty hot and very non-binary, so as it turns out, you’re all gay. You’re welcome. 🤠
So then I guess a new super power might be to turn raisins back into grapes. zzz zzz POP.
What’s one last thing you want fans to know about you?
Kai: My toes are like fingers -- I can take my socks off and ball em up together just with my feet.
Ess: I don’t like raisins.
In this quarantined era of social transformation, NOTDF gives voice to our collective desires to be ‘let out,’ and the music video for NOTDF is an absurdist romp from the future past that's sure to take viewers on a ride they never even knew existed.
LE FOMO will be releasing two more singles -- Tiny Anchor and the album’s title track, Swallow Me Whole -- this summer, ahead of their full album release in September.
LE FOMO will be releasing two more singles -- Tiny Anchor and the album’s title track, Swallow Me Whole -- this summer, ahead of their full album release in September.
Follow LE FOMO on Social Media